Brehm's Praxis series is driven by a spirit of enterprise that is clearly palpable: Since 1974 Brehm has been sensuously modulating his private iconography in ever new variations, ceaselessly engaged with his ever growing image and sound archive, withdrawn into the interior of an infernal fantasy. There is no posturing behind his cool treatment of the disquieting signs in his work, but rather ennui, a loner life, solipsism. Dietmar Brehm orchestrates implosions and idling states. He could be seen as the representative of a telephone-game art movement: His work is post avant-garde, post-narrative, post-surreal, post-pornographic and post-psychoanalytic; it appears like an extra entry in the annals of a long since shelved cultural history, like a last ditch effort of art after the end of time.
born in Linz
1967-72 studied painting at the University of Fine Arts/Linz. Professor at the University of Fine Arts/Linz. Drawing + painting, experimental films and photography. Numerous filmscreenings and exhibitions at home and abroad.
1974-1989: 74 Super8 films
since 1990: 16mm films
since 2000: video