Whenever I make a film, I try to transpose myself into a state of "fluid" ability and to act without applying my intellect speculatively. Through my use of this method I work more with the subconsciousness. I recorded the film
Fingerfächer (Finger Fan) in one day without a script, just out of spontaneous interaction with the camera. Even the length of the scene is a result of a "felt time" and not a pre-calculated amount of time.
I have a collection of all kinds of different objects. When I begin to work, I select things from this collection, to which...
