Vienna´s Prater. King Kong is Rigoletto. Mimi Minus enters the hall of mirrors, the world of distorted images. Mimi is infected by the distortion. Her reflection becomes grotesque reality. Horrified, the deformed Mimi runs into the street and therefore to the films beginning. Where she meets herself.
Self-perception and body image appear fluid in this hilarious funhouse romp. Mara Mattuschka is constantly taking playful risks with her work.
(Women in the Director’s Chair 2004)