ELFRIEDE JELINEK - LANGUAGE UNLEASHED

Child prodigy, scandalous author, traitor to the fatherland, feminist, fashion lover, communist, language terrorist, rebel, enfant terrible, nest fouler, brilliant, vulnerable artist.
Claudia Müller's film about Elfriede Jelinek, who in 2004 was the first German speaking female writer to be awarded the Nobel Prize for Literature, focuses on her artistic approach to language. ELFRIEDE JELINEK - LANGUAGE UNLEASHED is a multi-layered, associative film portrait, full of contradictions; it approaches the linguistic montage technique of the artist from her very own close perspective. (production note)


“Look at me NOW!” says Elfriede Jelinek at the beginning of ELFRIEDE JELINEK - LANGUAGE UNLEASHED. She holds a piece of paper up to the camera, which she lowers briefly to reveal her face. On the paper is an arithmetic problem that explains the image onscreen. It is an arrangement that forces us to read – or rather, we read in order to see – and Jelinek writes in order to be seen. Seeing, in the sense of recognizing.  

Jelinek is shown on the move, in Vienna and other cities, in different decades. The journey begins with the Nobel Prize – Jelinek was the first Austrian to receive the Nobel Prize in Literature – and works its way along specific themes that characterize the author’s work. Filmmaker Claudia Müller has made a name for herself with documentaries about such diverse personalities as Jenny Holzer, Shirin Neshat, VALIE EXPORT, and Helmut Lang. Here she works with her cinematographer Christine A. Maier with enthusiasm and aplomb, arranging current recordings and archive materials by, with, and about Jelinek into a portrait of the author.  

The range of the material is astonishing and manages to surprise again and again with something hitherto unknown. Müller and editor Mechthild Barth repeatedly opt for outtakes and peripheral materials, which allows us to enjoy film clips of Jelinek with her dog, for example, or holding a stack of prize money. They are images that offer resistance to the public image that is determined by a very different set of attributes. Texts read off-screen (by Stefanie Reinsperger and Sandra Hüller, among others) and material relating to dramatic events in contemporary Austrian history (such as the assassination of four Roma in Oberwart in 1995 and the massacre in Rechnitz in March 1945) complement the multi-layered collage of historical and contemporary materials.    

“... Everything has really been said,” Jelinek states towards the end. The author no longer appears in public nor explains anything. While Claudia Müller concentrates entirely on Jelinek’s work and thus her language, Müller’s film now gives us the opportunity to see – and to understand beyond one-dimensional causalities. (Sylvia Szely)

Translation: John Wojtowicz

Orig. Title
ELFRIEDE JELINEK - DIE SPRACHE VON DER LEINE LASSEN
Year
2022
Countries
Germany, Austria
Duration
96 min
Director
Claudia Müller
Category
Documentary
Orig. Language
german
Subtitles
english
Downloads
EJLU_01 (Image)
EJLU_02 (Image)
EJLU_03 (Image)
Credits
Director
Claudia Müller
Cinematography
Christine A. Maier
Composer
Eva Jantschitsch
Editing
Mechthild Barth
Sound Design
Johannes Schmelzer-Ziringer
Dramaturgical Advice
Brigitte Landes
Speaker
Sophie Rois, Maren Kroymann, Martin Wuttke, Ilse Ritter, Sandra Hüller, Stefanie Reinsperger
Production
Martina Haubrich, CALA Film, Claudia Wohlgenannt, Plan C Film
Production Manager
Hanne Lassl
Participant
Elfriede Jelinek
Supported by
Filmförderung der BKM (Beauftragte der Bundesregierung für Kultur und Medien), Arte, BR, DFFF, Filmfonds Wien, ÖFI - Österreichisches Filminstitut, FISA Filmstandort Austria, ORF
Producer
Claudia Schröter
Archival Research ORF
Silvia Heimader
Available Formats
Festivals (Selection)
2022
München - Filmfest München (FIPRESCI Prize of the International Film Critics)